A few bits and pieces from across this weekend, which saw London Super Comics Convention take place for, I think, the third time.
I went to the very first one, back when they were marketing themselves as having one giant guest at each year’s event, with Stan Lee being their first such guest. They’d booked out the ExCEL Centre (did I get the capitals right on that?) for the con, but the planning wasn’t quite in place in terms of layout back then. Stan Lee had a big panel area over in one corner, which this weekend had become panel area 2, and then across at the other end of the hall was artists’ alley. It was a bit of a hike between the two, and there was more focus on international guests than on UK creatives and studio comics, from what I remember. Also the food courts were mostly shut down and the International Zumba Expo was taking place next door.
This time round LSCC was the only event going on that weekend, it seems, and the food courts were open and selling their cheerily expensive wares to anyone. The event seemed to be much better in terms of layout this time round, in that they actually filled the hall with aisles and kept everything in a reasonably logical place. The first thing you walk into is the cosplay area, which took up a large corner of the hall. I think this was a pretty good idea, giving people in elaborate costumes a lot of space where they could walk around. I spent far less time almost getting stabbed out by people in spiky anime outfits than usual.
Cosplay was the big thing at the convention. Some professional cosplayers were in attendance and had a table for photos/autographs, and I’d say at least 15% of the crowd were wearing cosplay. On top of that, the big tournament at the end of the day was by far the most carefully planned-out part of the weekend, as sound and lasers and fog machines made their presence known to absolutely everybody in the hall. The big panel room was standing room only, and people were being turned away at the door. Cosplay is Big Business now, folks.
I also finally got to meet a Pixie cosplayer, which ticks something else off my bucket list.
And in terms of business, the convention seemed to be making people back their money, at the very least, with some people doing even better. It seemed that everybody who had a stall near the end of their aisle did very well indeed, and perhaps a little further up people struggled more. I think this might be because LSCC is more about character than creatives, and I think many of those in attendance spent more time around the shopping aisles than the artists’ alley aisles. I say this only because there were active queues around the shops at all times, whilst creators sometimes had surprisingly short queues – Cameron Stewart would be expected to have a line of Batgirls on his table at all times, but it looked like you could talk to him with only a five minute wait or so.
Rachael Stott had sold out of most everything she had near the end of the first day, which is pretty promising. Last year she’d been attending as a fan, and this year was a VIP guest thanks to her work on the Star Trek/Planet of the Apes crossover book over at IDW. Stephanie Hans also sold out of her sketchbooks – I know that because I bought the last one she had.
People seemed also to be wandering between tables quite freely, as the UK scene has become quite close over the last few years. Sam Read shared a table with DoGooder Comics, for example, whilst Mike Garley had seemingly a rotating door policy where Martin Simmonds, Andy Clift and Josh Sherwell all came and went across the weekend. It was a very romantic time.
The artists were all rather mixed up amongst the alley, so people like Mahmud Asrar, Stephanie Hans and Christian Ward were amongst UK studio press people like Kate Ashwin, Marc Ellerby and others. That also seemed like a rather good arrangement, and hopefully meant everybody got a fairer share of the attention than when conventions just stick all the Marvel artists in one corner and the UK press in another. Art Heroes were a table down from Jonathan Ross, for example.
And speaking of them, this was their last convention – Daniel Clifford says ever, I say until he grudgingly comes back to comics in two months time – and they seemed to be picking up attention as ever. I’m a fan of them both, so loitered around their table on and off, and saw loads of kids drawn over to that table. There were, in fact, loads of kids around in general, which is always a promising sign.
After Zainab’s report back from the Lakes Arts Festival last year I’ve tried to keep a better eye on demographics at conventions. LSCC seemed to be roughly 55/45 male/female attendance, and there wasn’t a noticeable wave of white faces everywhere. There were people of all ethnicities wandering around, several in cosplay (including a hugely impressive Blade outfit), and lots and lots of families. I think this is likely due to the location being London – one of the “biggest melting pots in the world”, as Eddie Izzard maybe once said, where people from all round the world come to live. The guestlist was centred around American comics, but the crowd reminded that the readership aren’t just fortysomething men anymore.
Mack, Sienkiewicz and Janson
I got to see two panels during my time – the Doctor Who comics panel, hosted by Titan, where they announced Neil Edwards as the artist for their upcoming three-Doctor-crossover event thingy. The acoustics in the hall were terrible, so it was very hard to hear some of the panellists, sadly. This was corrected by Sunday, but it did make the panel hard to follow at times. Rachael Smith’s cat-focused artwork seemed to go over well with the crowd, and Marc Ellerby picked up laughs from the audience. The opening talk with Cavan Scott and Al Ewing seemed largely inaudible, except for the prompts from editor Andrew James – who came across as bright and invested in the comics he works on.
The Daredevil panel on the next day had recovered the technical issues, and Bill Sienkiewicz, Klaus Janson and David Mack talked animatedly about the character – unlike some spotlight panels, this was one where the panellists actually seemed to care about their work. I’ve been to ones before where the creatives seem to be there because they had to be, but these three radiated warmth for the Daredevil character and his stories. The Q&A session was somewhat hit-and-miss, but you’ll hopefully be able to read that for yourself later in the week, as I should be getting that recap onto CBR at some point.
I was mostly there for a wander with chum and artist Fionnuala Doran, who got giddy over Astral Gypsy’s art-supplies stand and kept gravitating back towards it. We also hung around near – but never daring to go up to – Clay Mann, who is super swoony you guys. Ahem. I did buy a few things, being Stephanie Hans’ sketchbook and Gary Erskine’s Roller Grrrls sketchbook. I’ve seen him at conventions before, but always busy, so this was my first chance to actually say hi and chat for a while. Really enjoyed that conversation in particular, and I’m looking forward to reading more into the Roller Grrrls project in general.
I booked my train really poorly on Sunday, meaning I had to bolt off at lunchtime in order to head up North. But I enjoyed the convention a lot! It felt rather relaxed, with the big open space at all sides meaning people could stand aside and catch their breath whenever they wanted. Having been in 2013 and now 2015, it was nice to see the steps forwards that the convention-planners have made over the last few years, and it seems like a positive, supportive environment for comics fans of all ages.
So it was pretty good!